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Leonard Schrader (November 30, 1943 – November 2, 2006) was an American screenwriter and director, most notable for his ability to write Japanese-language films and for his many collaborations with his brother, . He earned an nomination for the screenplay he wrote for the film Kiss of the Spider Woman.


Early life and college
Born in Grand Rapids, Michigan, Schrader was brought up in a strict family and did not see his first film until he was an adult. In 1968, he finished his MFA at the University of Iowa's Writer's Workshop, where he studied with , , Jorge Luis Borges, Richard Yates, and José Donoso.


Japan
After graduating, Schrader left Grand Rapids in and escaped the draft by moving to Japan to teach. (According to , in his book Easy Riders, Raging Bulls, Schrader left the U.S. when he received a draft induction notice and didn't return until he was 28 years old - and thus ineligible for the draft.)

Between 1969-73 Schrader escaped even further, slipping by night into the subculture of the (the dominant gangster organization in the area of Japan, which includes , and ), while by day teaching American Literature at Doshisha University and .

During his time in Japan he met his future wife, Chieko Schrader. They married in 1977.

His living family includes brother Paul Schrader, niece Molly, and nephew Sam.


Film career
His experiences with the Yakuza in Japan led to a collaboration on a story with his brother, . This resulted in the film (1974), starring and directed by . Leonard and Paul also co-wrote Blue Collar (1978), a story of defiant auto-workers in Detroit, directed by Paul Schrader starring , and , and (1979), about a woman's cross-country trek to visit old flames, directed by and starring , , , .

Schrader's other screenplay credits include such popular Japanese-language films as Dream of Spring (1979), The Man Who Stole the Sun (Japan's Best Film of the Year in 1980), and Shonben Rider (1983). In 1982, with wife Chieko Schrader, he co-wrote The Killing of America, a documentary tracing the origins of U.S. violence.

During this production, Leonard Schrader collaborated with New York experimental filmmaker, . Schrader's background in Latin American literature and Weisman's experience with Brazil led them to develop Kiss of the Spider Woman together. Schrader's screenplay adaptation, based on the avant-garde novel by , earned him an nomination in 1986. (It also earned an Academy Award for Best Actor.)

Schrader met renowned Japanese novelist while living in Japan. For a decade after the author's ritual suicide in 1970, Schrader pursued the rights to Mishima's life, and working with his wife Chieko and brother Paul, he co-wrote the Japanese-language bio-pic executive-produced in 1984 by and Francis Ford Coppola, and directed by .

Schrader made his directorial debut with (1991) for which he also wrote the screenplay (although previously he also directed the 1982's film The Killing of America, this is the first time he solely directed the film, as in The Killing of America, he co-directed with Sheldon Renan). Produced in Argentina, with the 1925 period 'look' overseen by Oscar-winning designer , the independent film starred Vincent D'Onofrio, , , and the late .


Death
Schrader died on November 2, 2006 in Los Angeles, California.


Filmography
1974
1978Blue Collar
1979
Tora-san's Dream of Spring
The Man Who Stole the Sun Japan's Best Film of the Year, 1980
1982The Killing of America Documentary film
Co-directed with Sheldon Renan
1985
1987Kiss of the Spider Woman -nominee
1990


Teaching
  • From 1996 to 1999, Schrader taught the screenwriting Master's Thesis class at the University of Southern California.
  • From 1999 to 2003, Schrader taught at Chapman University where he was an associate professor of film.
  • From 2003 until his death, Schrader was Senior Filmmaker-in-Residence at the American Film Institute where he chaired the Screenwriting Department and taught graduate screenwriting.


External links

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